The lid was still rough after refinishing, but that was an acceptable savings to the client over lid replacement. Once that was done, the restoration was normal with the added expense of new legs & pedal lyre. The piano spent 6 months in our shop, upside down, carefully repairing the laminated rim. After being pulled out of several inches of standing water and weeks of exposure, the piano was put in a storage area for a couple of years even before we started. A hole in the roof allowed the piano to be rained on and slightly flood. We restored a Steinway concert grand for Auburn University that they acquired from a condemned building. Repairs on the most drastic level also benefit from waiting, letting the core sit, dry slowly and experience at least 1 year of seasonal changes to expose any hidden weaknesses. If a client holds sentimental value over and above the insured value, then the structural limits of what can be done goes a bit higher.Īnother problem is time. Almost everything must be evaluated on a case by case basis, but the dollars make the final determination. We've restored numerous pianos that survived floods, fires, animals, insects, etc. Make no mistake, there are some pianos that continue to work, almost miraculously, even after such an event, but the long term performance will always be a question mark. the repair cost, but once the keys get wet, you've usually exceeded the value even in valuable instruments. There are still likely questions about the value vs.

The cost for major restoration exceeds the market value, and often the framework is structurally compromised to the point that any moderate level of repair work could not be warranted.įor a grand piano, a critical point is when the flood waters reach the height of the keys. If it is an upright piano, almost any level of flooding will be a total loss.

Damaged coda virtual piano